#MOKU HANGA PRIMER PDF HOW TO#
#MOKU HANGA PRIMER PDF MANUAL#

In the next step the remaining wood is removed with another tool, a gauge. Most people will probably be familiar with it through ukiyo-e prints, such as those by Utamaro, Hokusai, Hiroshige et al. The blade is held at a small angle away from the area, because a vertical edge would be less stable and would collect ink at the edge.Īfter the first cut, a second in the opposite direction is made, so that a small chip of wood is cut out and a v-shaped groove is made. For quite some time I've debated trying Moku Hanga printmaking.As best I can tell the term itself just refers to Japanese woodblock or woodblock printmaking. The multi-step process begins with the carving of wooden blocks. Now the wood around the colour areas has to be removed, at least for 3 cm.Īt first I make a cut with a knive (Hangi toh) along the lines. Mokuhanga is a traditional printing technique once used commercially in Japan to mass produce images such as Katsushika Hokusai’s famous The Great Wave off Kanagawa. The position of the notches is already marked on the colour separation papers. During printing the paper is put into these notches. At the long side of the picture at the right edge (for right handed people) and some centimers from the left edge two notches are cut into the wood. It is bonding the drawing well but can be removed with some rubbing under running water. So I use a mixture of rice paste and wood glue. In the traditional japanese technique a very thin washi paper was used, but a cheap copy paper will do very well for this purpose.īefore printing all the paper has to be removed. Therefore the paper is being rubbed off with a finger and some water, only leaving the drawing. Of course now you can´t see the picture any more. For more detailed work I would need lime tree plywood, alder or most suitable cherry.īecause of the “false” glueing face down, the picture is now back-to-front on the plate and will have the correct orientation after printing. This kit includes the supplies needed to print multiple color blocks using the Japanese method. Martin Vinaver, Mexican guest artist visit for a Mokuhanga workshop, Feb 26Mar 22.

#MOKU HANGA PRIMER PDF MANUAL#

Because here I don´t need fine lines I can use rather soft poplar plywood. Book review of Letterpress Printing: A Manual For Modern Fine Press. In the next step, the copies of the colour separations are glued to the wood face down. They are important to register the different plates so that they fit together.

In the picture above the dotted areas shall be lighter using a colour gradation.Īt the right border you see some marks. These sheets were to small, so I copy and enlarge each of them.

#MOKU HANGA PRIMER PDF HOW TO#

bordering to, the proclamation as capably as insight of this Moku hanga How To Make Japanese Woodblock Prints can be taken as competently as picked to act. Here two examples from all in all seven plates: Comprehending as skillfully as deal even more than supplementary will meet the expense of each success. With a highlighter I colour the areas for each plate. I start with a line drawing, that defines the outlines of the coloured areas, but later these lines are not printed.įrom this drawing I make as much copies as colours are planned. If you have never used real shina ply, it is a joy to carve. April says the expense is due to the currency imbalance between the Japanese yen and the U.S. A small, 8 by 10 inch, piece of shina ply costs 6.35. The shina and carving tools are rather expensive. These prints are used to make the plates for printing the colours. The wood we used was shina plywood, imported from Japan. At first this drawing is cut and printed several times. It defines the outlines of every colour area. Traditionally everything starts with a brushdrawing. You want to know, how to use the japanese technique of woodcut, based on watercolour? Here you have an example, step by step:

Moku hanga primer pdf